Arto

Jane Estelle Trombley's Arto is twenty-two majors in a modern-art register, the record thin beyond that but the format eloquent: the majors-only art deck is modern illustration's favorite way into tarot, twenty-two canvases being an exhibition's worth of commitment rather than a career's. The name, art with a tarot suffix or tarot with an art prefix, declares the priority either way. The catalog's gallery wing holds many such decks, and their collective value exceeds their individual documentation: each is one artist's reading of the great sequence, and together they map how contemporary art keeps testing itself against the arcana. Trombley's entry belongs to that conversation. It suits collectors of artist's majors, modern-illustration followers, and readers who enjoy meeting the trumps in a new hand without a system's homework. The fully documented and fully structured live elsewhere in the catalog; the gallery wing asks only that you look.